When you receive an invitation, it is a moment of recognition, an invitation to be a part of something greater, to feel wanted, valued, and accepted. In the hierarchy of human needs, the desire to belong takes a top priority, surpassed only by our basic requirements for survival.
When the goddess Aphrodite claims us too fully, over time, our bodies become abandoned temples of physical perfection, sexual allure, and romantic passion. Her seductive archetypal power has captivated us for eons, but in today’s world, the enhancements of fashion, beauty, and physical appearance have intensified veneration of this goddess. However, her enchantments can have profound consequences, particularly when it comes to aging and the pressures of perfection.
Imprisoned by the sea with his son Icarus, mythological craftsman Daedalus constructed wings to escape. Beeswax held feathers in place, so Daedalus told Icarus not to fly too high or too low: the sun’s heat would melt the wax and sea spray would weigh the wings down. Elated, Icarus flew too high–and fell. Like Icarus, the moods of people with bipolar disorder swing from soaring into mania to sinking into depression.
Image Credit: Joseph Lee...
We tend to think of revolution as a people’s push-back against perceived oppression—a reaction to rulership that has rejected fairness, change, and accessibility. When a rigid power structure reigns supreme—often presenting as idealism, spirituality, or cultural integrity—it can generate opposing force as an effort to restore rightness and realize renewal.
Melancholy evokes images of poets and artists for whom suffering and giftedness go hand in hand. Creative ability as compensation for affliction is depicted in Greek myth by the god Hephaestus. Rejected by his goddess mother and cast out of Olympus, alienated Hephaestus forged magnificent, magical objects for the gods.
Games introduce us to conditions of life, for we must play the hand we’ve been dealt. Confronted with the limitations of ego and understanding, we may discover that games are metaphors for the movement of a mysterious cosmos.
What we sew has a limited lifespan, as do we. Stitching our inner and outer lives together day by day, we can create raiment for the soul.
Matthew Quick, author of The Silver Linings Playbook, shares himself and his new book, We Are the Light. Writer’s block led Quick to This Jungian Life podcast, analysis, and letter writing as a literary device.
Problems can pester, persist and plague. They range from short-lived to chronic, bothersome to heart-wrenching, resolvable to unalterable. Problems cause what Jungian analyst and author James Hollis refers to as the three As: ambiguity, ambivalence, and anxiety. Ambiguity arises when a problem is complex and confusing, demanding action without certainty. Ambivalence is a state of conflicted feelings, often related to immediate versus long-term gratification. Anxiety is worry and doubt about whether we can meet a challenge or achieve a desired outcome.
Obsessions are unwanted, intrusive thoughts; compulsions are unwarranted, involuntary behaviors. Though different, they often go together, for compulsions pose as protection from the imagined bad consequences of obsessions.
Volcanoes appear in our myths, movies, and dreams. Their awesome destructive power fascinates us and serves as a reminder that we are not in control of nature’s primordial forces. Offering access to the earth’s molten core, volcanoes have been believed to be the entryway to the underworld or Hell. The Greeks believed that the fiery bursts from volcanoes were the sparks flying from Hephaestus’ forge, thus underscoring the creative aspect of volcanoes – Hephaestus created items of incredible beauty and power in his underground workshop. Volcanoes create new rocks and new land mass. Their mineral-rich output fertilizes the surrounding soil, producing abundant and delicious crops. The volcano serves as a potent image of the unconscious – unpredictable, sometimes explosive, powered from the depths – but also capable of bestowing its fructifying blessing upon us.